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The new film tracks the evolution of racial bias from the civil rights movement to the new millennium, as presidents fought the war on drugs with greater police presence and jail sentences. As a result, the U.S. Griffith's 1915 film The Birth of a Nation, which doubled as Ku Klux Klan propaganda.
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They were later demonized as "rapists" in D.W. It's an idea that 13th (named for the Constitutional amendment that abolished slavery) traces to the end of the Civil War, when freed slaves convicted of petty crimes were forced into labor.
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In 1996, Clinton, then first lady, called urban youth " super-predators," helping fuel the narrative that minorities were criminals who needed to be contained. "It's vital to have him in there, because he's taken this country to a place that is going to be long-studied and have repercussions past this moment, regardless if he's president or not," she says.īut DuVernay doesn't let Trump's rival Hillary Clinton off the hook, either. Including Trump in the racially charged film was imperative to DuVernay, who spoke to journalists ahead of 13th's world premiere at New York Film Festival Friday and Netflix debut Oct. Audio of the presidential candidate scolding protesters scores the scene, as he laments that in "the good old days, law enforcement acted a lot quicker than this," and says demonstrators would've been "carried away on a stretcher." Grainy black-and-white images of African Americans beaten and arrested by police flash across the screen, intercut with cellphone footage of people being harassed and intimidated at Trump rallies. NEW YORK - The most chilling sequence in Ava DuVernay's mass incarceration documentary, 13th, comes courtesy of Donald Trump.